Tes Berge (London, UK) — is a contemporary visual artist working at the intersection of dream and reality.

Her language is visual, her tone — piercing, intimate, cinematic. At the core of her practice lies photography as a way of thinking, feeling, and interpreting. For Tes, fashion is not an industry but a visual philosophy — a way to question the body, the gaze, and emotional states.
Her work explores vulnerability, transformation, and the fragile materiality of the body, inviting the viewer to witness charged transitional states: coming of age, anxiety, metamorphosis. Her style is distinctive: sculptural light, analogue textures, symbolic objects, and emotionally dense compositions.
Tes crafts visual narratives where sensuality becomes a mode of thought. Her projects flow across photography, fashion, installation, and text, forming collaborations with designers, artists, and independent initiatives across Europe.

Selected Projects:

It Bugs Me — A visual series exploring fragility and defense mechanisms through merging insect motifs with the human body. Exhibited in London, Athens, Seoul, and Los Angeles.

Personaless — A project examining anonymity and distorted self-perception in hypermediated environments. Through meticulously staged scenes and potent symbolism, Tes creates a world where identity dissolves into imitation. Presented as an installation at Brick Lane Gallery in London, Personaless is a sharp commentary on the identity crisis of the digital age.

Shakespeare — A photographic series reinterpreting Shakespearean archetypes through a modern lens. The project explores power, love, and tragedy in today’s cultural context. Exhibited in the UK and nominated for an art award.

Memories from the Future — A futuristic photo series delving into time and memory. Combining sci-fi elements with retrofuturism, the series investigates how technology alters our perception of the past and future. Shown in London and Budapest.