“My work is the expression of feelings through emotional experiences and their transmission through the filter of my own egocentrism. I don't want to enclose myself in a one-way square, but there are certain directions that I prefer. These are abstractionism, expressionism, alternative abstract surrealism, intuitive painting, automatic painting, absurdity, irony, conceptualism. I write emotions. Emotions that each person experiences or has ever experienced, based on their feelings. They can be easy, complex and strange in some way (non-standard sensations that can be experienced). Painting also sends its branches into intuition, because you feel intuitively that this is exactly how it should be.

My work should be felt with the soul, and not perceived with the mind. Because it drowns out inner sensations, substituting and completing all sorts of images, forms and comparisons. And when you feel the work, then you understand it and accept it as it should be, and not just a template that is understandable for perception. I also want the viewer to find in my works a reflection of a part of his inner self, look into himself and understand whether he is what he is.

Surrealism is already a distortion of reality, but abstraction in this regard enhances this effect. The totality of these directions is conscious, because it is impossible not to refer to them when reflecting our modern world.
The alternative acts as a paradox - it is opposed to the above directions and at the same time they are opposed to themselves. Also without limiting yourself to anything, neither tools nor thoughts. All this is one thick plume of the art-house of life that is happening at the moment.